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dc.contributor.authorLi, Luzhou-
dc.date.accessioned2026-02-23T18:51:15Z-
dc.date.available2026-02-23T18:51:15Z-
dc.date.issued2019-
dc.identifier.citationLi, L. (2019). Communication, Culture, and Governance in Asia | “I’d Rather Be the Ferryman in the Gold Rush”: The Television Drama Production Industry in Post-2008 China. International Journal of Communication, 13. https://ijoc.org/index.php/ijoc/article/view/10999/2808es_ES
dc.identifier.issn1932-8036-
dc.identifier.urihttps://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/11107-
dc.description.abstractThis article examines the post-financial-crisis development of Chinese television (especially the television drama production sector) by focusing on the changing industrial structure and how industry professionals have negotiated careers and exploited opportunities within this changing sector. It begins with a brief history of Chinese television, focusing on its development within the context of “cultural system reform” in the 2000s. It then discusses the massive capitalization of television drama production around 2010 as domestic private equity funds flooded into the field. The article concludes with a description of how two different generations of television industry professionals with unique histories made their careers in an ever-changing industrial terrain.es_ES
dc.language.isoenes_ES
dc.publisherInternational Journal of Communicationes_ES
dc.subjectmarketes_ES
dc.subjectChinaes_ES
dc.subjectdramaes_ES
dc.titleCommunication, Culture, and Governance in Asia | “I’d Rather Be the Ferryman in the Gold Rush”: The Television Drama Production Industry in Post-2008 Chinaes_ES
dc.title.alternativeInternational Journal of Communicationes_ES
dc.typeArticlees_ES
Aparece en las colecciones: Documentos internacionales sobre libertad de expresión y derechos conexos

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