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dc.contributor.authorJin, Dal-
dc.date.accessioned2026-03-09T14:49:09Z-
dc.date.available2026-03-09T14:49:09Z-
dc.date.issued2019-
dc.identifier.citationJin, D. (2019). East Asian Perspective in Transmedia Storytelling | Snack Culture’s Dream of Big-Screen Culture: Korean Webtoons’ Transmedia Storytelling. International Journal of Communication, 13. https://ijoc.org/index.php/ijoc/article/view/10004/2647es_ES
dc.identifier.issn1932-8036-
dc.identifier.urihttps://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/11202-
dc.description.abstractThe sociocultural reasons for the growth of webtoons as snack culture and snack culture’s influence in big-screen culture have received little scholarly attention. By employing media convergence supported by transmedia storytelling as a theoretical framework alongside historical and textual analyses, this article historicizes the emergence of snack culture. It divides the evolution of snack culture—in particular, webtoon culture—to big-screen culture into three periods according to the surrounding new media ecology. Then it examines the ways in which webtoons have become a resource for transmedia storytelling. Finally, it addresses the reasons why small snack culture becomes big-screen culture with the case of Along With the Gods: The Two Worlds, which has transformed from a popular webtoon to a successful big-screen movie.es_ES
dc.language.isoenes_ES
dc.publisherInternational Journal of Communicationes_ES
dc.subjecttransmediaes_ES
dc.subjectbiges_ES
dc.subjectscreenes_ES
dc.titleEast Asian Perspective in Transmedia Storytelling | Snack Culture’s Dream of Big-Screen Culture: Korean Webtoons’ Transmedia Storytellinges_ES
dc.title.alternativeInternational Journal of Communicationes_ES
dc.typeArticlees_ES
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