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dc.contributor.authorSinnreich, Aram-
dc.date.accessioned2026-03-16T18:18:09Z-
dc.date.available2026-03-16T18:18:09Z-
dc.date.issued2019-
dc.identifier.citationSinnreich, A. (2019). Sonic Publics| Music, Copyright, and Technology: A Dialectic in Five Moments. International Journal of Communication, 13. https://ijoc.org/index.php/ijoc/article/view/8587/2539es_ES
dc.identifier.issn1932-8036-
dc.identifier.urihttps://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/11252-
dc.description.abstractThis article traces the coevolution of musical culture, law, and technology over the arc of modern Western legal and cultural history, from the Renaissance to the present day. This historical analysis is intended to lend context and substance to contemporary conversations about the role of the Internet and digital production platforms, as well as Internet-based intellectual property laws, such as the Digital Millennium Copyright Act, in shaping contemporary global musical culture. I propose a 5-stage coevolutionary process, based on the dialectical relationships between (1) laws and regulations, (2) market dynamics, (3) codes and practices, (4) music technologies, and (5) concepts of authorship.es_ES
dc.language.isoenes_ES
dc.publisherInternational Journal of Communicationes_ES
dc.subjectculturales_ES
dc.subjecthistoryes_ES
dc.subjectmediaes_ES
dc.titleSonic Publics| Music, Copyright, and Technology: A Dialectic in Five Momentses_ES
dc.title.alternativeInternational Journal of Communicationes_ES
dc.typeArticlees_ES
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