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dc.contributor.authorYakali, Dikmen-
dc.date.accessioned2026-04-17T18:00:04Z-
dc.date.available2026-04-17T18:00:04Z-
dc.date.issued2023-
dc.identifier.citationYakali, D. (2023). Is She a Feminist Icon Now? Barbie 2023 Movie and a Critique of Postfeminism. Studies in Media and Communication, 12(1), 198–198. https://doi.org/10.11114/smc.v12i1.6478 ‌es_ES
dc.identifier.issn2325-808X-
dc.identifier.urihttps://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/11451-
dc.description.abstractThis study seeks to analyse Greta Gerwig’s Barbie 2023 movie, exploring how it playfully interacts with academic criticisms by incorporating them into its narrative in a humorous way. This article intends to investigate how the movie serves as a critique of postfeminist media texts by highlighting how it affects women's psychological well-being, illustrating the ways in which it can be debilitating. The movie also highlights the unfulfilled psychological aspects of feminism, rendering it a feminist text in that regard. A thematic analysis of the movie prompts a discussion on how a character who has been a postfeminist icon transforms into a feminist narrative identity.es_ES
dc.language.isoenes_ES
dc.publisherRedfame Publishing Inces_ES
dc.subjectBarbiees_ES
dc.subjectpostfeminismes_ES
dc.subjectnarrative identityes_ES
dc.subjectfeminist media studieses_ES
dc.titleIs She a Feminist Icon Now? Barbie 2023 Movie and a Critique of Postfeminismes_ES
dc.title.alternativeStudies in Media and Communicationes_ES
dc.typeArticlees_ES
Aparece en las colecciones: Documentos internacionales sobre libertad de expresión y derechos conexos

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