Por favor, use este identificador para citar o enlazar este ítem: https://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/11706
Registro completo de metadatos
Campo DC Valor Lengua/Idioma
dc.contributor.authorCaballero, Jorge-
dc.contributor.authorSora-Domenjó, Carles-
dc.date.accessioned2026-06-01T17:56:57Z-
dc.date.available2026-06-01T17:56:57Z-
dc.date.issued2024-
dc.identifier.citationCaballero, J., & Sora-Domenjó, C. (2024). Automation and creativity in AI-driven film editing: the view from the professional documentary sector. Communication & Society, 37(3), 201-218. https://doi.org/10.15581/003.37.3.201-218es_ES
dc.identifier.issn2386-7876-
dc.identifier.urihttps://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/11706-
dc.description.abstractThis article explores the impact of integrating artificial intelligence (AI) into film editing, a field that has gradually adopted semi- and fully automated techniques, marking a turning point in film narrative and montage techniques. The study undertakes a systematic literature review and conducts fifteen semi-structured interviews with professional film editors in Spain to investigate how AI might transform workflows in film editing, in general, and documentary filmmaking, in particular. AI’s potential as a complementary tool in the management and organization of large volumes of material is discussed, while growing interest is highlighted in the development of more interactive, more dynamic interfaces. Finally, the study stresses the need for future research to broaden its current scope, further exploring the practical applications of AI-driven film editing and addressing both the ethical and creative concerns associated with its use.es_ES
dc.language.isoenes_ES
dc.publisherCommunication & Societyes_ES
dc.subjectArtificial intelligencees_ES
dc.subjectfilm editinges_ES
dc.subjectqualitative analysises_ES
dc.subjectautomation in editinges_ES
dc.subjectediting toolses_ES
dc.subjectaudiovisual narrativees_ES
dc.titleAutomation and creativity in AI-driven film editing: the view from the professional documentary sectores_ES
Aparece en las colecciones: Documentos internacionales sobre libertad de expresión y derechos conexos



Los ítems de DSpace están protegidos por copyright, con todos los derechos reservados, a menos que se indique lo contrario.