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dc.contributor.authorRaman, Veena-
dc.date.accessioned2026-08-11T13:31:17Z-
dc.date.available2026-08-11T13:31:17Z-
dc.date.issued2018-
dc.identifier.citationRaman, V. (2018). Nicholas Holm, Humour as Politics: The Political Aesthetics of Contemporary Comedy. International Journal of Communication, 12. https://ijoc.org/index.php/ijoc/article/view/9848/2394es_ES
dc.identifier.issn1932-8036-
dc.identifier.urihttps://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/12107-
dc.description.abstractIn Humour as Politics: The Political Aesthetics of Contemporary Comedy,Nicholas Holm examines how the aesthetic aspects of contemporary comedies can influence the way we engage with and understand our wider sociopolitical context. Without making any causative assumptions about the political effects of popular western comedies, Holm provides an overview of theories of humor and analyzes how different comedic texts use humor to create ever-expanding doubt that makesus question all certainty.es_ES
dc.language.isoenes_ES
dc.publisherInternational Journal of Communicationes_ES
dc.subjectpoliticales_ES
dc.subjectcomedyes_ES
dc.subjectbookes_ES
dc.titleNicholas Holm, Humour as Politics: The Political Aesthetics of Contemporary Comedyes_ES
dc.title.alternativeInternational Journal of Communicationes_ES
dc.typeArticlees_ES
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