Por favor, use este identificador para citar o enlazar este ítem:
https://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/3818
Registro completo de metadatos
Campo DC | Valor | Lengua/Idioma |
---|---|---|
dc.contributor.author | Capdevila, Pol | - |
dc.date.accessioned | 2023-03-09T21:44:46Z | - |
dc.date.available | 2023-03-09T21:44:46Z | - |
dc.date.issued | 2015 | - |
dc.identifier.citation | Capdevila, P. El documental de objetivación. Realismo, estética y temporalidad. Communication & Society 28(4), 67-85.https://doi.org/10.15581/003.28.35942 | es_ES |
dc.identifier.issn | 2386-7876 | - |
dc.identifier.uri | https://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/3818 | - |
dc.description.abstract | This article deals with the representation of reality in documentary and describes a new category of documentary, namely, the objectifying documentary. The objectifying documentary originated in the 2000s, with examples such as Bosnia. Lost Images (2003), and questions a certain type of war propaganda. It pursues two goals: to deconstruct the conventions of the realist style and reveal the artifice behind its supposed immediacy and claim to provide “evidence” of what happened; and to tell a story from a rational, “objectified” point of view. It therefore takes on the appearance of an epistemological tool informed by scientific rationality. In this paper I first describe the characteristics of the realist style in documentary, which was hegemonic until the end of the twentieth century. I then develop the concept of the objectifying documentary and describe its visual and narrative strategies. My methodology is that of aesthetic analysis, as proposed by Corner (2003). I illustrate the concept of the objectifying documentary through the case study of a realist-style news report on the killing of Muhammad Al-Durrah in 2000, which has since been objectified by the documentary Das Kind, der Tod und die Wahrheit (2009). In the last section I analyse one of the most powerful visual strategies for constructing documentary objectivity, namely, the manipulation of temporality. In the conclusions I reflect on the presumed rationality and scientific nature of objectifying documentaries and their epistemic ideology | es_ES |
dc.language.iso | es | es_ES |
dc.publisher | Communication & Society | es_ES |
dc.subject | documentary | es_ES |
dc.subject | realism | es_ES |
dc.subject | communication | es_ES |
dc.title | The objectifying documentary: realism, aesthetics and temporality | es_ES |
dc.title.alternative | Communication & Society | es_ES |
dc.type | Article | es_ES |
Aparece en las colecciones: | Documentos internacionales sobre libertad de expresión y derechos conexos |
Ficheros en este ítem:
Fichero | Descripción | Tamaño | Formato | |
---|---|---|---|---|
objetivación.pdf | 7,37 MB | Adobe PDF | Visualizar/Abrir |
Los ítems de DSpace están protegidos por copyright, con todos los derechos reservados, a menos que se indique lo contrario.