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dc.contributor.authorStubbs, Jonathan-
dc.date.accessioned2024-02-05T21:16:04Z-
dc.date.available2024-02-05T21:16:04Z-
dc.date.issued2023-
dc.identifier.citationStubbs, J. (2023). The Lives of Others: Unauthorized Depictions of Public Figures in U.S. Film and TV Drama. International Journal Of Communication, 17, 18. Retrieved from https://ijoc.org/index.php/ijoc/article/view/21265/4402es_ES
dc.identifier.issn1932-8036-
dc.identifier.urihttps://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/6644-
dc.description.abstractThis article examines the unauthorized depiction of public figures in contemporary U.S film and TV from a legal perspective, particularly the conflict between free speech and reputational damage. These issues are historicized by reviewing the earliest cases brought against film producers in the 1910s and 1920s, and by analyzing the main practices employed in the film industry to minimize the legal risks of dramatizing rea people. The second section considers changes in the legal standing of films and their representation of real people over time, including the extension of First Amendment protection, the revision of defamation standards, and the emergence of publicity rights. Finally, the article examines the recent case brought by Olivia de Havilland over her depiction in the miniseries Feud: Bette and Joan. Testing the validity of publicity rights laws, the case depended on whether her depiction was “transformative” rather than realistic and thus protected as free speech.es_ES
dc.language.isoenes_ES
dc.publisherInternational Journal of Communicationes_ES
dc.subjecthistoricales_ES
dc.subjectdramaes_ES
dc.subjectpublicityes_ES
dc.titleThe Lives of Others: Unauthorized Depictions of Public Figures in U.S. Film and TV Dramaes_ES
dc.title.alternativeInternational Journal of Communicationes_ES
dc.typeArticlees_ES
Aparece en las colecciones: Documentos internacionales sobre libertad de expresión y derechos conexos

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