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dc.contributor.authorKang, Jennifer M.-
dc.date.accessioned2024-04-30T21:41:16Z-
dc.date.available2024-04-30T21:41:16Z-
dc.date.issued2023-
dc.identifier.citationKang, J. (2023). The Politics of Being a K-Pop Fan: Korean Fandom and the “Cancel the Japan Tour” Protest. International Journal Of Communication, 17, 19. Retrieved from https://ijoc.org/index.php/ijoc/article/view/18885/4037es_ES
dc.identifier.issn1932-8036-
dc.identifier.urihttps://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/7197-
dc.description.abstractThis article focuses on the online protest by Korean K-pop fans during the 2019 trade dispute between Korea and Japan. Several fandoms demanded that entertainment agencies cancel upcoming concerts in Japan as part of a nationwide boycott of Japanese brands in Korea. An analysis of the tweets under the hashtag #Cancel_Japan_Concert indicates that the Korean fans challenged the dominant discourses surrounding K-pop by (1) evoking the Korean-ness of the entertainment agencies that manage the K-pop groups by arguing that they should cancel the concerts because of the heightened domestic anti-Japanese sentiment, (2) emphasizing their role as moral caregivers by criticizing the agencies for treating K-pop idols as commodities, and (3) pointing to the lack of a “real” world tour in the idols’ concert schedules. These findings reveal that K-pop functions as a space in which Korean fans imagine alternative identities that transcend their popular image as embodying a collective nationalistic attitude toward the genre.es_ES
dc.language.isoenes_ES
dc.publisherInternational Journal of Communicationes_ES
dc.subjectK-popes_ES
dc.subjectkoreanes_ES
dc.subjectfanses_ES
dc.titleThe Politics of Being a K-Pop Fan: Korean Fandom and the “Cancel the Japan Tour” Protestes_ES
dc.title.alternativeInternational Journal of Communicationes_ES
dc.typeArticlees_ES
Aparece en las colecciones: Documentos internacionales sobre libertad de expresión y derechos conexos

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