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dc.contributor.authorJin, Dal Y.-
dc.contributor.authorLee, Sangjoon-
dc.contributor.authorHong, Seok-
dc.date.accessioned2024-05-14T15:58:08Z-
dc.date.available2024-05-14T15:58:08Z-
dc.date.issued2023-
dc.identifier.citationJin, D., Lee, S., and Hong, S. (2023). Is Netflix Riding the Korean Wave or Vice Versa?| Netflix and the Global Receptions of Korean Popular Culture: Transnational Perspectives—Introduction. International Journal Of Communication, 17, 9. https://ijoc.org/index.php/ijoc/article/view/20718/4392es_ES
dc.identifier.issn1932-8036-
dc.identifier.urihttps://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/7323-
dc.description.abstractThis editorial introduction examines the Netflix effect in the Korean wave tradition. It analyzes the ways the world’s most influential over-the-top platform is changing the production, distribution, and consumption of South Korean popular culture in the global cultural markets from the perspective of transnational culture. It provides a deeper understanding of the transformations of regional and transnational cultural industry practices, creative labor, artistic challenges, and transnational reception juxtaposed with and in response to the Korean cultural industries’ quantum leap in the (post-)age of the COVID-19 pandemic. We attempt to advance our current debates and place them in contexts relevant to future work in transnational cultural studies in the digital platform era.es_ES
dc.language.isoenes_ES
dc.publisherInternational Journal of Communicationes_ES
dc.subjectNetflixes_ES
dc.subjectpopulares_ES
dc.subjectculturees_ES
dc.titleIs Netflix Riding the Korean Wave or Vice Versa?| Netflix and the Global Receptions of Korean Popular Culture: Transnational Perspectives—Introductiones_ES
dc.title.alternativeInternational Journal of Communicationes_ES
dc.typeArticlees_ES
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