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Campo DC | Valor | Lengua/Idioma |
---|---|---|
dc.contributor.author | Yuan, Yin | - |
dc.date.accessioned | 2024-05-14T16:35:25Z | - |
dc.date.available | 2024-05-14T16:35:25Z | - |
dc.date.issued | 2023 | - |
dc.identifier.citation | Yuan, Y. (2023). Is Netflix Riding the Korean Wave or Vice Versa?| Third-Space K-Drama: Netflix, Hallyu, and the Melodramatic Mundane. International Journal Of Communication, 17, 25. Retrieved from https://ijoc.org/index.php/ijoc/article/view/20724/4398 | es_ES |
dc.identifier.issn | 1932-8036 | - |
dc.identifier.uri | https://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/7328 | - |
dc.description.abstract | This article examines K-drama’s potential as a postcolonial Third Space. I consider the impact of Netflix’s profit-driven transculturalism on Hallyu by contrasting Netflix Korean Originals, particularly Squid Game, with K-dramas such as Liar Game. The latter belongs to an emergent mode of Korean TV that I call the “melodramatic mundane,” which creates new forms of hybridized identity in the global arena. Analyzing K-dramas’ Western reception alongside a comparative close reading of American, Japanese, and Korean TV shows, I examine alternative structures of feeling in K-dramas that challenge American narrative ideologies. | es_ES |
dc.language.iso | en | es_ES |
dc.publisher | International Journal of Communication | es_ES |
dc.subject | Netflix | es_ES |
dc.subject | game | es_ES |
dc.subject | k-drama | es_ES |
dc.title | Is Netflix Riding the Korean Wave or Vice Versa?| Third-Space K-Drama: Netflix, Hallyu, and the Melodramatic Mundane | es_ES |
dc.title.alternative | International Journal of Communication | es_ES |
dc.type | Article | es_ES |
Aparece en las colecciones: | Documentos internacionales sobre libertad de expresión y derechos conexos |
Ficheros en este ítem:
Fichero | Descripción | Tamaño | Formato | |
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Third space.pdf | Third space | 5,61 MB | Adobe PDF | Visualizar/Abrir |
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