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dc.contributor.authorYuan, Yin-
dc.date.accessioned2024-05-14T16:35:25Z-
dc.date.available2024-05-14T16:35:25Z-
dc.date.issued2023-
dc.identifier.citationYuan, Y. (2023). Is Netflix Riding the Korean Wave or Vice Versa?| Third-Space K-Drama: Netflix, Hallyu, and the Melodramatic Mundane. International Journal Of Communication, 17, 25. Retrieved from https://ijoc.org/index.php/ijoc/article/view/20724/4398es_ES
dc.identifier.issn1932-8036-
dc.identifier.urihttps://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/7328-
dc.description.abstractThis article examines K-drama’s potential as a postcolonial Third Space. I consider the impact of Netflix’s profit-driven transculturalism on Hallyu by contrasting Netflix Korean Originals, particularly Squid Game, with K-dramas such as Liar Game. The latter belongs to an emergent mode of Korean TV that I call the “melodramatic mundane,” which creates new forms of hybridized identity in the global arena. Analyzing K-dramas’ Western reception alongside a comparative close reading of American, Japanese, and Korean TV shows, I examine alternative structures of feeling in K-dramas that challenge American narrative ideologies.es_ES
dc.language.isoenes_ES
dc.publisherInternational Journal of Communicationes_ES
dc.subjectNetflixes_ES
dc.subjectgamees_ES
dc.subjectk-dramaes_ES
dc.titleIs Netflix Riding the Korean Wave or Vice Versa?| Third-Space K-Drama: Netflix, Hallyu, and the Melodramatic Mundanees_ES
dc.title.alternativeInternational Journal of Communicationes_ES
dc.typeArticlees_ES
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