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dc.contributor.authorPark, Jin-
dc.contributor.authorKim, Kristin-
dc.contributor.authorLee, Yongsuk-
dc.date.accessioned2024-06-18T20:25:39Z-
dc.date.available2024-06-18T20:25:39Z-
dc.date.issued2022-
dc.identifier.citationPark, J., Kim, K., and Lee, Y. (2022). Theorizing the Korean Wave| Netflix and Platform Imperialism: How Netflix Alters the Ecology of the Korean TV Drama Industry. International Journal Of Communication, 17, 20. https://ijoc.org/index.php/ijoc/article/view/18468/3985es_ES
dc.identifier.issn1932-8036-
dc.identifier.urihttps://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/7532-
dc.description.abstractApplying the concept of platform imperialism, we investigate how Netflix has altered the practices of Korean drama production and the theoretical implications of this influence in the study of the Korean Wave. Despite Netflix’s positive contributions to increasing the reputation of Korean dramas, Netflix’s aggressive international content strategies pose a significant challenge to the Korean media industry. Because Netflix acquires all IP rights to Netflix Korean originals and the global streaming rights to numerous Korean dramas, neither production companies nor Korean television stations gain profits commensurate with the global popularity of Korean dramas. Netflix’s strategic use of the Korean Wave and the aggressive acquisition of the streaming rights of Korean dramas may ultimately work to consolidate platform imperialism.es_ES
dc.language.isoenes_ES
dc.publisherInternational Journal of Communicationes_ES
dc.subjectplatformes_ES
dc.subjectdramaes_ES
dc.subjectrightses_ES
dc.titleTheorizing the Korean Wave| Netflix and Platform Imperialism: How Netflix Alters the Ecology of the Korean TV Drama Industryes_ES
dc.title.alternativeInternational Journal of Communicationes_ES
dc.typeArticlees_ES
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