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dc.contributor.authorAhn, Ji-
dc.date.accessioned2024-06-18T20:26:35Z-
dc.date.available2024-06-18T20:26:35Z-
dc.date.issued2022-
dc.identifier.citationAhn, J. (2022). Theorizing the Korean Wave| K-Pop Without Koreans: Racial Imagination and Boundary Making in K-Pop. International Journal Of Communication, 17, 20. https://ijoc.org/index.php/ijoc/article/view/18461/3986es_ES
dc.identifier.issn1932-8036-
dc.identifier.urihttps://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/7533-
dc.description.abstractWith K-pop groups beginning to include non-Korean members, K-pop has become increasingly transnational and hybridized. All aspects of K-pop have now transcended Korea’s national borders, from production to consumption and from performers’ nationalities to their music and fashion styles. There have even been some intriguing experiments in creating K-pop groups composed mainly, or even entirely, of non-Korean/Asian members, such as EXP Edition, CoCo Avenue, and KAACHI. Interestingly, and perhaps predictably, these groups have faced vigorous pushback from K-pop fan communities and have generated heated controversy about the definition of K-pop. In this article, I interrogate the racial politics of K-pop by carefully examining international K-pop fans’ reactions to and discourse about these three groups. By examining how fans’ online engagement has challenged the conventions of K-pop with non-Asian performers, I advance the discussion of the racial dimension of the genre, which has received little attention in the current Korean Wave scholarship.es_ES
dc.language.isoenes_ES
dc.publisherInternational Journal of Communicationes_ES
dc.subjectculturales_ES
dc.subjectracees_ES
dc.subjectavenuees_ES
dc.titleTheorizing the Korean Wave| K-Pop Without Koreans: Racial Imagination and Boundary Making in K-Popes_ES
dc.title.alternativeInternational Journal of Communicationes_ES
dc.typeArticlees_ES
Aparece en las colecciones: Documentos internacionales sobre libertad de expresión y derechos conexos

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