Please use this identifier to cite or link to this item: https://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/8580
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dc.contributor.authorSayfo, Omar-
dc.date.accessioned2024-12-26T13:56:13Z-
dc.date.available2024-12-26T13:56:13Z-
dc.date.issued2022-
dc.identifier.citationSayfo, O. (2022). Identity Matters: The Cultural Logics of Animation Production and Distribution in the Arab World. International Journal Of Communication, 16, 18. https://ijoc.org/index.php/ijoc/article/view/16394/3693es_ES
dc.identifier.issn1932-8036-
dc.identifier.urihttps://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/8580-
dc.description.abstractThough animation production in the Arab world started in the 1930s, it was not until the 2000s that homegrown films and series gained momentum on the national, geolinguistic, and cultural markets. This article provides an introduction into the cultural logics of homegrown animated cartoon production and distribution in the Arab world, a geolinguistic region, and the Muslim world, a cultural/religious region. Doing so, the article traces the global technological trends and individual struggles, as well as economic cones_ES
dc.language.isoenes_ES
dc.publisherInternational Journal of Communicationes_ES
dc.subjectindustrieses_ES
dc.subjectproductiones_ES
dc.subjecttelevisiones_ES
dc.titleIdentity Matters: The Cultural Logics of Animation Production and Distribution in the Arab Worldes_ES
dc.title.alternativeInternational Journal of Communicationes_ES
dc.typeArticlees_ES
Appears in Collections:Documentos internacionales sobre libertad de expresión y derechos conexos

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