Please use this identifier to cite or link to this item:
https://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/10560| Title: | Whose Death Matters? A Quantitative Analysis of Media Attention to Deaths of Black Americans in Police Confrontations, 2013–2016 |
| Other Titles: | International Journal of Communication |
| Authors: | Zuckerman, Ethan Matias, Nathan Bhargava, Rahul Bermejo, Fernando Ko, Allan |
| Keywords: | activism media journalis |
| Issue Date: | 2019 |
| Publisher: | International Journal of Communication |
| Citation: | Zuckerman, E., Matias, N., Bhargava, R., Bermejo, F. and Ko, A. (2019). Whose Death Matters? A Quantitative Analysis of Media Attention to Deaths of Black Americans in Police Confrontations, 2013–2016. International Journal of Communication, 13. https://ijoc.org/index.php/ijoc/article/view/8782/2810 |
| Abstract: | Media coverage of deaths of unarmed people of color at the hands of police sharply increased after the high-profile death of Michael Brown. We analyze a novel set of media data to understand reasons for this rise and to postulate a shift in reporting that treats these deaths as part of a larger pattern, crystallized around the “key event” of Michael Brown’s death rather than as unconnected incidents. We see a “news wave” that resulted in increased coverage and sharing of stories about deaths of people of color at the hands of police that aligned with activist efforts such as the Black Lives Matter movement. Our quantitative methods suggest a mechanism for tracking effectiveness of activist efforts to change the framing of important social phenomena in the news. |
| URI: | https://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/10560 |
| ISSN: | 1932-8036 |
| Appears in Collections: | Documentos internacionales sobre libertad de expresión y derechos conexos |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| Whose Death matter.pdf | Whose Death matter | 1,3 MB | Adobe PDF | View/Open |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.