Por favor, use este identificador para citar o enlazar este ítem: https://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/11879
Registro completo de metadatos
Campo DC Valor Lengua/Idioma
dc.contributor.authorSinanan, Jolyna-
dc.contributor.authorHjorth, Larissa-
dc.contributor.authorOhashi, Kana-
dc.contributor.authorKato, Fumitoshi-
dc.date.accessioned2026-06-29T19:43:13Z-
dc.date.available2026-06-29T19:43:13Z-
dc.date.issued2018-
dc.identifier.citationSinanan, J., Hjorth, L., Ohashi, K. and Kato, F. (2018). Mobilities, Communication, and Asia| Mobile Media Photography and Intergenerational Families. International Journal of Communication, 12. https://ijoc.org/index.php/ijoc/article/view/9666/2477es_ES
dc.identifier.issn1932-8036-
dc.identifier.urihttps://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/11879-
dc.description.abstractThe visuality of apps such as Instagram, Facebook, and WhatsApp is becoming more apparent, especially as part of emotional work in contemporary relationships. In families, informal intergenerational literacy can be found throughout mobile media practices. Often, the emotional work around these practices remains tacit. In this article, we interrogate the ways in which mobile media photography has become imbricated in making-do practices of maintaining intimacy in intergenerational family contexts. Drawing from literature on mobile media visuality and transnational family relationships, this article considers Arlie Hochschild’s emotional labor and “feeling rules” to consider how intergenerational familial genres in Australia and Japan are used to perform contemporary notions of familial intimacy and copresence. The article thus contributes a cross-cultural consideration of Hochschild’s emotion work to examine how the circulation of images reveals the ideals of familyhood and aspirations of contemporary The visuality of apps such as Instagram, Facebook, and WhatsApp is becoming more apparent, especially as part of emotional work in contemporary relationships. In families, informal intergenerational literacy can be found throughout mobile media practices. Often, the emotional work around these practices remains tacit. In this article, we interrogate the ways in which mobile media photography has become imbricated in making-do practices of maintaining intimacy in intergenerational family contexts. Drawing from literature on mobile media visuality and transnational family relationships, this article considers Arlie Hochschild’s emotional labor and “feeling rules” to consider how intergenerational familial genres in Australia and Japan are used to perform contemporary notions of familial intimacy and copresence. The article thus contributes a cross-cultural consideration of Hochschild’s emotion work to examine how the circulation of images reveals the ideals of familyhood and aspirations of contemporary Asian families in a multicultural and monocultural context. Asian families in a multicultural and monocultural context.es_ES
dc.language.isoenes_ES
dc.publisherInternational Journal of Communicationes_ES
dc.subjectmobilees_ES
dc.subjectmediaes_ES
dc.subjectintimacyes_ES
dc.titleMobilities, Communication, and Asia| Mobile Media Photography and Intergenerational Familieses_ES
dc.title.alternativeInternational Journal of Communicationes_ES
dc.typeArticlees_ES
Aparece en las colecciones: Documentos internacionales sobre libertad de expresión y derechos conexos

Ficheros en este ítem:
Fichero Descripción Tamaño Formato  
ojsadmin,+9666-31815-6-ED.pdfMobilities, Communication, and Asia| Mobile Media Photography and Intergenerational Families956,42 kBAdobe PDFVisualizar/Abrir


Los ítems de DSpace están protegidos por copyright, con todos los derechos reservados, a menos que se indique lo contrario.