Please use this identifier to cite or link to this item: https://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/11879
Title: Mobilities, Communication, and Asia| Mobile Media Photography and Intergenerational Families
Other Titles: International Journal of Communication
Authors: Sinanan, Jolyna
Hjorth, Larissa
Ohashi, Kana
Kato, Fumitoshi
Keywords: mobile
media
intimacy
Issue Date: 2018
Publisher: International Journal of Communication
Citation: Sinanan, J., Hjorth, L., Ohashi, K. and Kato, F. (2018). Mobilities, Communication, and Asia| Mobile Media Photography and Intergenerational Families. International Journal of Communication, 12. https://ijoc.org/index.php/ijoc/article/view/9666/2477
Abstract: The visuality of apps such as Instagram, Facebook, and WhatsApp is becoming more apparent, especially as part of emotional work in contemporary relationships. In families, informal intergenerational literacy can be found throughout mobile media practices. Often, the emotional work around these practices remains tacit. In this article, we interrogate the ways in which mobile media photography has become imbricated in making-do practices of maintaining intimacy in intergenerational family contexts. Drawing from literature on mobile media visuality and transnational family relationships, this article considers Arlie Hochschild’s emotional labor and “feeling rules” to consider how intergenerational familial genres in Australia and Japan are used to perform contemporary notions of familial intimacy and copresence. The article thus contributes a cross-cultural consideration of Hochschild’s emotion work to examine how the circulation of images reveals the ideals of familyhood and aspirations of contemporary The visuality of apps such as Instagram, Facebook, and WhatsApp is becoming more apparent, especially as part of emotional work in contemporary relationships. In families, informal intergenerational literacy can be found throughout mobile media practices. Often, the emotional work around these practices remains tacit. In this article, we interrogate the ways in which mobile media photography has become imbricated in making-do practices of maintaining intimacy in intergenerational family contexts. Drawing from literature on mobile media visuality and transnational family relationships, this article considers Arlie Hochschild’s emotional labor and “feeling rules” to consider how intergenerational familial genres in Australia and Japan are used to perform contemporary notions of familial intimacy and copresence. The article thus contributes a cross-cultural consideration of Hochschild’s emotion work to examine how the circulation of images reveals the ideals of familyhood and aspirations of contemporary Asian families in a multicultural and monocultural context. Asian families in a multicultural and monocultural context.
URI: https://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/11879
ISSN: 1932-8036
Appears in Collections:Documentos internacionales sobre libertad de expresión y derechos conexos

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