Please use this identifier to cite or link to this item: https://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/12027
Title: Feminism, Visual Culture, and Television in Post-Revolutionary Portugal: The Case of Nome Mulher
Other Titles: Historia y Comunicación Social
Authors: Baptista, Carla
Keywords: television
feminism
Nome Mulher
visual culture
25 April
Issue Date: 2026
Publisher: Universidad Complutense Madrid
Citation: Baptista, C. (2026). Feminism, Visual Culture, and Television in Post-Revolutionary Portugal: The Case of Nome Mulher. Historia y Comunicación Social, 31(1), 115–122. https://doi.org/10.5209/hics.105130
Abstract: In 1970s Portugal, new media forms such as photography, video, installation, and performance gained prominence in the artistic landscape. This article examines the first feminist series on Portuguese television, broadcast between 1974 and 1976 on public television, which was profoundly transformed by the Carnation Revolution of 25 April. It represents a cultural experience that illustrates the intersection between an emerging visual culture and a new media culture seeking to align itself with the progressive narratives of the social-democratic agenda.
URI: https://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/12027
ISSN: 1988-3056
Appears in Collections:Documentos internacionales sobre libertad de expresión y derechos conexos

Files in This Item:
File Description SizeFormat 
Feminism, Visual Culture, and Television.pdf156,63 kBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.