Evita in Spain: Masks of a First Lady

Diez-Puertas, Emeterio

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Campo DC	Valor	Lengua/Idioma
dc.contributor.author	Diez-Puertas, Emeterio	-
dc.date.accessioned	2023-03-31T18:12:38Z	-
dc.date.available	2023-03-31T18:12:38Z	-
dc.date.issued	2014	-
dc.identifier.citation	Diez-Puertas, E. (2014). “Evita in Spain: Masks of a First Lady”, Communication & Society / Comunicación y Sociedad, 27, (2), pp.107-126. https://doi.org/10.15581/003.27.35986	es_ES
dc.identifier.issn	2386-7876	-
dc.identifier.uri	https://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/4004	-
dc.description.abstract	The Eva`s Peron journey to Spain is a media event and the images generated at that time have become in a essential part of the myth of Evita. However, these images suffer a process of deletion, allocation, appropriation and even confrontation. The mass media face different conceptions of what should or should not be the president's wife: the prodigal lady, the artist lady, the nation lady, the heart lady and the freedom lady, as the United States launches a movie about another First Lady, Dolley Payne. All are female masks represent complex and contradictory discursive constructions of genre in service of political communication.	es_ES
dc.language.iso	en	es_ES
dc.publisher	Communication & Society	es_ES
dc.subject	genre	es_ES
dc.subject	identity	es_ES
dc.subject	mass	es_ES
dc.title	Evita in Spain: Masks of a First Lady	es_ES
dc.title.alternative	Communication & Society	es_ES
dc.type	Article	es_ES
Aparece en las colecciones:	Documentos internacionales sobre libertad de expresión y derechos conexos

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