Please use this identifier to cite or link to this item:
https://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/4004
Title: | Evita in Spain: Masks of a First Lady |
Other Titles: | Communication & Society |
Authors: | Diez-Puertas, Emeterio |
Keywords: | genre identity mass |
Issue Date: | 2014 |
Publisher: | Communication & Society |
Citation: | Diez-Puertas, E. (2014). “Evita in Spain: Masks of a First Lady”, Communication & Society / Comunicación y Sociedad, 27, (2), pp.107-126. https://doi.org/10.15581/003.27.35986 |
Abstract: | The Eva`s Peron journey to Spain is a media event and the images generated at that time have become in a essential part of the myth of Evita. However, these images suffer a process of deletion, allocation, appropriation and even confrontation. The mass media face different conceptions of what should or should not be the president's wife: the prodigal lady, the artist lady, the nation lady, the heart lady and the freedom lady, as the United States launches a movie about another First Lady, Dolley Payne. All are female masks represent complex and contradictory discursive constructions of genre in service of political communication. |
URI: | https://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/4004 |
ISSN: | 2386-7876 |
Appears in Collections: | Documentos internacionales sobre libertad de expresión y derechos conexos |
Files in This Item:
File | Description | Size | Format | |
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Evita in Spain.pdf | Evita in Spain | 509,9 kB | Adobe PDF | View/Open |
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