Please use this identifier to cite or link to this item: https://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/7672
Title: Gaw, F., & Bunquin, J. (2024). In Dishonor of: The Assemblage of Counter-Memory as Networked Resistance on Twitter. International Journal Of Communication, 18, 25. Retrieved from https://ijoc.org/index.php/ijoc/article/view/21308/4547
Other Titles: International Journal of Communication
Authors: Gaw, Fatima
Bunquin, Jon
Keywords: memory
history
social
Issue Date: 2024
Publisher: International Journal of Communication
Citation: Gaw, F., and Bunquin, J. (2024). In Dishonor of: The Assemblage of Counter-Memory as Networked Resistance on Twitter. International Journal Of Communication, 18, 25.https://ijoc.org/index.php/ijoc/article/view/21308/4547
Abstract: This study investigates the performance of counter-memory in the intersection of networked publics, counter-discourses, and technologies of memories. We map the social network and analyze the discursive practices of the Twitter hashtag network #ArawNgMagnanakaw (“Day of Thieves”) as a counter-commemoration of Philippine dictator Ferdinand Marcos Sr. We theorize the “assemblage of counter-memory” as the connective, discursive, and material assemblage that has the capacity to privilege subjugated knowledge, reconstruct history, and shape the trajectories of reality. It acts as a counter-structure to the order of knowledge of history, built on the substructure rendered by the affordances of digital media. We argue that the assemblage enacts a kind of “relational” agency that emerges and reemerges to resist both established historical orders and systematic political manipulation. More importantly, it can reconfigure itself to respond to new issues and contexts and weave counter-memory practices with contemporary forms of political participation.
URI: https://repositorio.consejodecomunicacion.gob.ec//handle/CONSEJO_REP/7672
ISSN: 1932-8036
Appears in Collections:Documentos internacionales sobre libertad de expresión y derechos conexos

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